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Director Anil Sharma has joined the rising listing of trade insiders who’ve voiced their opinion on the continued debate round inflated prices for actors’ entourages. “Actors have the audacity to extend their entourage prices at a time when their movies aren’t even working in theatres. Actors ki itni worth hello nahi reh gayi ab ki public unko dekhne aaye,” says Sharma who delivered the 2023 blockbuster hit Gadar 2.
Sharma notes that there are only a few actors left “who nonetheless have worth and the pull” to attract the audiences to come back and watch a movie in theatres. Citing the Southern movie trade for instance that also “will get a houseful 4-5 days upfront”, Sharma says, “Gone are these instances once we (Hindi movie trade) used to make movies with Dharmendra and plenty of others, with tickets getting booked per week upfront. It doesn’t occur now.” He continues, “The general public just isn’t coming to see you in theatres. OTT par aapko majboori mein dekhti hain, woh bhi 25 mein se 2 movies dekh li toh dekh li. You don’t even know in case your movie is a flop or hit. You set a mark on it by yourself and stay in your personal world.”
Additionally Learn: Parts of Gadar 2 have been ghost-directed: Ameesha Patel opens up about artistic variations with Anil Sharma
Moreover, Sharma doesn’t hesitate to criticise the present era of actors for the deteriorating state of the trade, observing that ‘Actors today are working just for social media”. “Both they’re incomes from Instagram or promoting, cinema se unko kuch nahi mil raha kyunki unko public dekhne hello nahi aarahi. It’s the bitter fact,” he says, including, “Aside from 3-Four heroes in Mumbai, nobody has the ability to get a housefull even on a Saturday or Sunday,” the 66-year-old tells us.
Sharma additionally highlights a big concern he sees within the Bollywood trade: a scarcity of substantive content material from sure filmmakers. He notes, “Content material performs an important position. I really feel that many administrators, writers, and actors haven’t even seen the world past Versova and Bandra. Therefore, they don’t even know what sort of content material works in India,” he says, including, “Content material ke naam par unko bas samajh agaya hain ki city and OTT ke liye kya chalta hain. Samajh wahin tak restricted hain toh wahi content material banaate hain.”
Moreover, Sharma factors to the overexposure of actors as an element contributing to the present droop on the field workplace. “Secondly, the appeal of actors can also be diminishing. I’m seeing each actor on a regular basis on social media in health club and airport seems. Why would the general public pay to see them in theatres. They’re overexposed! Actors ko dekhne ka appeal khatam kardiya hai paparazzi tradition ne. They may get adverts or manufacturers on social media due to that, however the theatrical exclusivity is completed,” he says.
He contrasts this with the South Indian movie trade, the place actors like Jr NTR, Ram Charan and Prabhas handle to keep up their attract. “In case you have a look at the South trade, the actors have maintained their appeal. Persons are excited to see them in theatres. Kabhi content material acha aa jaaye and actor bada na ho toh bhi image chal jaati hai ab,” Sharma notes, including, “If the content material is sweet and the actor can also be at par, then the movie may even be a blockbuster. Proper now, there’s neither content material nor hero, bas kharche mil rahe hain inke aur kuch nahi.”
