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In an period the place fascinating audiences isn’t any simple feat, Mona Singh says the current success of the horror-comedy movie Munjya underscores a elementary reality: content material is king. The actor, who has garnered reward for her position within the Maharashtrian folk-inspired story, tells us that the attract of flashy blockbusters is fading in favour of wealthy storytelling.
“It’s not the hero or flashy massy movies that entice the viewers to theatres now, however its really the content material that performs an essential position,” Singh asserts. “Motion pictures these days shouldn’t simply be about wanting good, making some hit track, and capturing at nice places, it must be about nice content material and expertise.”
The shift in the direction of content-driven cinema, Singh believes, is rejuvenating genres like horror-comedy, which now cater to a broader household viewers. “The fantasy world is cherished by the youngsters and their dad and mom additionally be a part of them, making it a household watch,” Singh, who has been a part of reveals like Made in Heaven and Kaala Paani, observes. “After Stree, the entire sport of horror-comedy has modified. It’s essential to create a unique universe.”
Additionally Learn: Love the very fact I’m nonetheless round: actor Mona Singh on her 20-year journey
Speaking in regards to the sudden success of Munjya, based mostly on the legend of Munja, Singh notes that it’s acquired a common attraction and a rooted story that has resonated with the audiences globally. “It’s loopy. Maharashtrian folklore is touring the world. I’m so pleased about that” she beams. “I’ve been receiving calls from individuals eager to congratulate me (on the success of the movie).”
Singh’s profession trajectory, spanning each OTT platforms and theatrical releases, exemplifies her versatility and dedication to significant tasks. “As an actor, I need to strike a steadiness between the 2,” she shares. Additional, Singh says she goals to proceed selecting roles that problem her creatively and resonate deeply. “The concept of claiming sure to theatrical or OTT has all the time been the identical – it has to maneuver me, resonate with me, and one thing that I’ve by no means completed earlier than,” she says.
Regardless of the business’s volatility, Singh stays optimistic in regards to the future. “I’m positive there shall be many extra producers and administrators now wanting to succeed in out to me due to the success of current tasks I’ve been a part of,” she predicts. “The film enterprise may be very unforgiving, you might be nearly as good as your final Friday, the place films are involved,” she concludes.
