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LOS ANGELES — Should you hearken to Chrystabell & David Lynch’s new album, there’s a very good probability that it’ll make you dream.
Not that “Cellophane Reminiscences,” the most recent collaboration between the auteur and his “Twin Peaks: The Return” co-star will put you to sleep — though its moody, ethereal sound would possibly show you how to sit back.
The Oscar-nominated surrealist director behind “Mulholland Drive” and “Blue Velvet” has lengthy pressured the significance of taking time to let your creativeness wander, notably with regards to creating artwork.
He and Chrystabell assist listeners obtain that state of contemplative surprise with their newest 10-track collaboration. It’s troublesome to categorize “Cellophane Reminiscences” inside a style, nevertheless it consists of austere lyrics and ambient soundscapes carried by Chrystabell’s hypnotic, reverbed vocals.
Though Lynch is understood extra extensively for filmmaking, that is hardly the director’s first foray into music, neither is it his first mission with Chrystabell. The pair have collaborated in numerous capacities for many years, starting with the tune “Polish Poem,” which was featured on Lynch’s 2006 movie, “Inland Empire.”
Produced and written by Lynch and engineered by Chrystabell, the album is Lynch’s first since his longtime artistic associate Angelo Badalamenti died in 2022. The late composer contributed to 2 tracks — “She Knew” and “So A lot Love” — that are each carried by Badalamenti’s synthesizer.
The album is a sonic feast that, like so a lot of Lynch’s movies, challenges fashionable consideration spans. Listening to “Cellophane Reminiscences” seems like doing yoga, or maybe transcendental meditation. The impulse to seek out extra stimuli within the second is robust, however the consequence, if you happen to can stick it out, is a sense of rejuvenation and boosted artistic power.
A lot of the album sounds prefer it may have come straight from “Twin Peaks”; one wonders if its title is a nod to the collection’ final useless woman Laura Palmer being discovered wrapped in plastic. “Cellophane Reminiscences” even often employs the acquainted, backward dialogue impact utilized in scenes within the purple room to show Chrystabell’s vocals right into a form of haunting instrument — like on the brooding “Reflections in a Blade.”
Hopeful and longing, at occasions disturbing and even seedy , the album vacillates between mild and darkness — themes Lynch has all through his profession been eager to discover. His simpatico relationship with Chrystabell, whose artistic use and mixing of her personal voice elevates “Cellophane Reminiscences,” is palpable on this document.
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