Nadanna Sambhavam evaluate: Biju Menon, Suraj Venjaramoodi film not as progressive as one hoped

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Nadanna Sambhavam evaluate: When a brand new household strikes right into a residential group or house, there may be at all times curiosity amongst the neighbours as to how they’re. What does the husband do? What’s the spouse like? What’s their marriage like and so forth. Whereas some might get pleasant with the brand new household, others might not however one factor is for certain – gossip abounds. (Additionally Learn: Parvathy Thiruvothu on her absence from Malayalam cinema: ‘I didn’t go wherever’)

Nadanna Sambhavam evaluate: Biju Menon, Suraj Venjaramoodi in a nonetheless from the movie.

In Nadanna Sambhavam, director Vishnu Narayan and author Rajesh Gopinadhan have given us a narrative that’s precisely about this type of state of affairs however with a twist that’s one pertains to.

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Nandanna Sambhavam story

Marine engineer Sreekumaran Unni (Biju Menon), his spouse (Shruti Ramachandran) and daughter transfer into a brand new residential colony in Ernakulam the place Ajith Neelakantan (Suraj Venjaramoodu) lives along with his household. Unni and Ajith are diametrically reverse and the director established this reality proper from the get go. Whereas Unni is a heat, loving husband who does family chores and takes care of the daughter, Ajith is the epitome of a chauvinistic macho man who thinks the spouse (Lijo Mol Jose) ought to serve the person.

Unni being a marine engineer is on and off the ship and when at house, he turns into pleasant with the ladies within the residential group. Ajith and his buddies assume with their male ego and shortly his patriarchal beliefs begin to have an effect on his notion of Unni. The stress builds inside Ajith and sooner or later a verbal confrontation turns bodily and the police are known as in. The story then takes us by how males’s insecurities and perceptions have an effect on them and people round them. And the way not all males are the identical.

Nandanna Sambhavam evaluate

Vishnu Narayan and Rajesh Gopinadhan have tried to offer us a narrative of gender stereotypes and the toxicity that outcomes with a patriarchal and misogynistic mindset. Unni and Ajith are two totally different males and their totally different upbringing and experiences form their characters and their relationships. The premise of this movie is just not actually new and reminds us of movies within the 90s the place there was a big ensemble solid to showcase massive households or a gaggle of individuals in a colony (like director Visu’s Tamil movies).

There are a lot of characters on this movie as effectively (a jilted lover, the cops and so forth) who seem sporadically to push ahead the narrative and the theme of this story. The viewers will in all probability take sides with Unni for the trendy man that he appears however Ajith can also be a product of society and that’s the crux that the director and author wish to put out. Additionally they deliver into play how society – folks round – additionally affect one’s mindset and perceptions and the way this may injury your relationships, consciously or unconsciously. However hasn’t this already been effectively documented now?

The performances

Malayalam actors Biju Menon and Suraj Venjaramoodi are good performers and so they slip into their roles very simply delivering notable performances. Sadly, Shruti Ramachandran and Lijo Mol Jose haven’t been given robust, impactful roles by author Rajesh Gopinadhan as they need to have and that’s a letdown. Placing roles of ladies in such a male-centric drama would have enhanced the theme of gender stereotyping as effectively.

In conclusion

Author Rajesh Gopinadhan believes that this film will strike a debate in society (about male stereotypes) however on condition that we’re debating right now about liberal feminism, LGBTQIA rights and poisonous masculinity, Nadanna Sambhavam might have been rather more. On the entire, this drama is simply timepass and never as progressive because it want to be.



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