Three years again after I watched Netflix’s Haseen Dillruba, regardless of not being a fan of romantic crime thrillers, I used to be surprisingly invested. The movie was well-written, considerate, had a number of layers, and was completely pleasant. So, naturally, when the sequel was introduced, I used to be prepared with my popcorn tub, soda can, and excessive hopes. To say that Phir Aayi Hasseen Dillruba upset, can be an understatement. Jayprad Desai’s sequel looks like a determined try to money in on the unique’s success, with no care or thought given to the brand new story. Whereas Desai makes an attempt to recreate the expertise of the primary movie, he appears to have missed the issues that made Haseen Dillruba work.
Final time we had been in Dillruba world, Vikrant Massey’s Rishabh had minimize off his hand and staged his personal demise to avoid wasting his disloyal spouse Rani (Taapsee Pannu) from going to jail for murdering her former lover. This dramatic ending offered an ideal springboard for the director to construct onto one thing far more significant for a sequel. As an alternative, Phir Aayi Hasseen Dillruba suffers from painful pacing, an overstretched screenplay, cringey dialogue, an illogical plot, and no actual hook to maintain you caught in its story.
The movie opens in Agra, the place Rani resides as a small-time make-up artist, whereas Rishabh is hiding in disguise, making an attempt his finest to get the preparations made for the couple to maneuver overseas and begin afresh. With the Uttar Pradesh police one way or the other nonetheless hung up on the case, the 2 poisonous lovebirds can’t be seen collectively. They now change coy glances like forbidden highschool lovers throughout the road, discuss on hours-long telephone calls, and meet in secret.
And oh, like all the time, they converse fluent Dinesh Pandit – the crime novelist whose works gave them the right exit plan final time. You will see the loopy couple portray quotes from his books on partitions and even rubbish vans to ship messages to one another. Okay, admittedly, nonetheless painful the remainder of the movie may be, this laureate change is kind of spectacular. It may not have an oz. of practicality, however the nearly Sherlocky thought is in alignment with the form of insanity that had taken over our protagonists in the direction of the top of the primary movie.
We even have a brand new most important character now: Abhimanyu, a medical compounder who’s obsessed on Rani – reminding us of Rishabh’s pre-disaster section. He’s perpetually within the hope of wooing the widow, unaware of her criminally insane and really a lot alive lifeless husband and their disturbing historical past. Whereas Sunny Kaushal is fabulous in sure scenes that handle to convey the eeriness of the circumstances – particularly in his first scene with Massey on a carnival journey – the character feels underwritten.
There’s a scene wherein Shergill, taking part in a cop and the uncle of the sufferer within the movie, tells his senior officer that “this case is like indigestion.” Umm… to take inventive liberty and have theatrical dialogue is ok, however this was completely misplaced, Jimmy. His sporadic presence is marred by overacting and fails to painting the ache of somebody who not too long ago misplaced their nephew and now has blood of their eyes.
The movie additionally suffers from irrationality. A bunch of issues are taking place simply because the filmmaker needs them to occur that approach. Whereas some illogical plot factors may very well be chalked right down to luck and coincidence, the movie’s story overstretches its reliance on comfort and begins bordering on incredulity. Characters are assembly and getting married within the span of three days; individuals are having a gala time boating in a crocodile-infested river; leaping off cliffs is not inflicting as a lot as a scratch; and individuals are inexplicably bumping into one another! Even when the makers needed to provide the story the vibe of gossip journal column, a little bit of rationality would have accomplished the trick.
That mentioned, the movie has fortunately accomplished a good job with visible metaphors. All through the movie, we discover many intelligent poetic cues. Rani’s hand-shaped telephone stand was essentially the most fascinating of all of them. The movie’s inclusion of “Ek Haseena Thi” from Rishi Kapoor’s Karz (1980) makes for an additional fascinating selection. The track is itself a story of a lady’s betrayal and provides simply the suitable notice wanted to maintain issues playful. Sadly, Kapoor’s medley cannot solely carry the burden of the movie.
Phir Aayi Hasseen Dillruba fails to create the form of curiosity that fuels such thrillers. Even the stunning revelations will not take you by full shock. The storyline falls flat and there are hardly any thrills. Provided that the characters had turned nearly cynical in the direction of the top of the unique film, extra depth was wanted to maintain the momentum going. The movie barely scratches on that floor, delivering a superficial move of occasions. Although the characters scream, yell, cry and do every part of their energy to convey their helplessness, the movie fails to make you are feeling for them, not like the primary movie.
The one motivation to proceed watching this two-hour disappointment is the faint hope that the unique film’s attraction will resurface. And certainly, it does, however solely sporadically and in fleeting moments. For followers like me, these temporary glimpses are a merciless tease, hinting at what might have been if the sequel had lived as much as its predecessor’s requirements. In case you’re new to the twisted romance of Rani and Rishu, you may be capable of look previous its flaws. However should you’re conversant in the unique movie, the frustration may be an excessive amount of to bear.
Ranking: 6/10