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The final time Prasoon Joshi picked his pen to put in writing lyrics was for the movie Manikarnika: The Queen of Jhansi in 2019. Ask why the writer-poet has stayed away from Bollywood for half a decade, and he shares, “I had accepted the accountability of the Chairperson of the Central Board of Movie Certification (CBFC) at a time when there have been many challenges. My integrity and honesty demanded that I maintained a sure distance from work that’s to be licensed in order that I stay unbiased. That led me to restrain my pen in the previous few years. It was a part, and I can see myself steadily shifting on to what I really like, which is writing and creation.”
Having penned songs and scripts for movies, Joshi just lately forayed into a brand new realm, play writing. He has written a musical, Rajadhiraaj: Love. Life. Leela, which he says was “difficult”. He shares: “I had written many performs in school life, however this expertise enriched the soul.” Ask what inspired him to discover the format, and the lyricist provides, “I at all times consider in venturing into intricate, underexplored topics. So, be it a Taare Zameen Par (2007) with a topic like studying difficulties of kids or Bhaag Milkha Bhaag (2013), a sports activities biopic, different artistic codecs – poetry adverts, songs, movie scripts, musicals, and theatre — enchantment to me.”
The Padma Shri recipient provides that putting a stability between his function because the Censor Board head and a author isn’t simple. “CBFC got here with its tasks and challenges. I accepted the function at a time when criticism in regards to the certification physique was throughout. I attempted to create as a lot constructive change, be it digitising or smoothening processes, to putting a stability between inventive freedom and societal sensibilities. To do all that sans pointless confrontation did take a toll. Additionally, to see fellow artistes’ work by a certification lens was and is a fragile job,” he says.
Nevertheless, the lyricist is “now steadily exploring newer genres”. He provides, “I’m engaged on some extra musicals, net collection and a e-book.”
Given the development of recreation of previous songs, a whole lot of lyricists have expressed their discontent with OG lyricists not getting their due. Does he resonate with that sentiment? “Within the artistic world, there’ll at all times be one thing established and one thing but to be seen. Classics at all times have a spot within the coronary heart, however we want recent work too,” says Joshi, including, “We want recent, high-calibre work in movie songs. Mindlessly catering to the bottom widespread denominator or being insecure about crediting high-calibre writing and restraining from giving it its due, isn’t proper. The viewers, too, must demand better-quality writing.”
Speaking in regards to the musical, he provides, “As a script, dialogue and lyrics author, I had a problem and a novel alternative to attach with the hearts of the viewers. The sheer scale of this musical, the truth that it has round 20 unique songs which might be sung reside and the music received me excited.”
