Sanjay Leela Bhansali reacts to the similarities between Khamoshi and CODA

Sanjay Leela Bhansali reacts to the similarities between Khamoshi and CODA

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Do you know that Sanjay Leela Bhansali’s debut movie Khamoshi: The Musical shares lots of similarities with the story of CODA? Bhansali’s movie starring Salman Khan and Manisha Koirala in lead roles didn’t do properly on the field workplace when it launched in 1996. CODA, which launched in 2021, went on to win three Oscars, together with Greatest Image. Was Khamoshi forward of its time? In an interview with Galatta Plus, Bhansali shared his ideas on this topic. (Additionally learn: Sanjay Leela Bhansali defends historic inaccuracies in Heeramandi: ‘My cinema shouldn’t be refined’)

Sanjay Leela Bhansali reacted to Coda profitable the Oscar for Greatest Image.

What Sanjay mentioned

Throughout the interview, Sanjay mentioned, “Generally issues don’t fall into place. Generally, your work would not attain out. Khamoshi didn’t attain out. 25 years later, any person makes CODA within the US, which is nearly like Khamoshi. They get the Oscar! It nearly ended there. However you do not surrender. One thing have to be improper. The viewers’s intelligence have to be supreme. It’s essential to by no means query that you simply made a movie forward of its time. Do not give your self that credit score unnecessarily. One thing is improper within the movie. The earlier you settle for it, the higher filmmaker you can be.”

Extra particulars

CODA was written and directed by Sian Heder. An English-language remake of the 2014 French-Belgian movie La Famille Bélier, the movie revolved across the youngster of deaf adults (CODA) who pursues her aspirations to turn into a singer. The movie gained Greatest Image, Greatest Tailored Screenplay and Greatest Supporting Actor on the 94th Academy Awards.

Bhansali’s newest venture, Heeramandi

In the meantime, Bhansali is receiving reward for his work in Heeramandi. Based mostly on the red-light district known as Heera Mandi in Lahore (now in present-day Pakistan) throughout the pre-partition period, Sanjay’s magnum opus chronicles the lives of courtesans in Heera Mandi and their relationships with Nawabs at the moment.



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