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Saripodhaa Sanivaaram assessment: Vivek Athreya, who’s identified for making Psychological Madhilo, Brochevarevarura and Ante Sundaraniki, tries his hand on the traditional story of excellent vs evil with Saripodhaa Sanivaaram. Whereas the movie’s fundamental premise makes it look like any outdated business film, the director makes the style his personal – significantly the humour and the visible grammar. (Additionally Learn: Nani opens up concerning the affect of Kamal Haasan, calls him ‘a present to cinema’)
Saripodhaa Sanivaaram story
Surya (Nani) has at all times been hot-headed and fast together with his fists each time somebody ticks him off. His mom Chayadevi (Abhirami) worries it’ll do him extra hurt than good to hold on this manner, giving him an answer to maintain his mood in verify. So, whereas he’s your common ol’ man-next-door 6 days every week with fastidiously combed hair and tucked in shirt, he additionally maintains a cautious ledger of everybody who has made him offended, taking motion on Saturdays provided that he believes it is justified.
Surya meets his arch-nemesis in Dayanand (SJ Suryah), an equally hot-headed, borderline-manic police officer. Daya’s beef together with his brother Koormanand (Murli Sharma) has some very actual penalties for Sokulapalem – a Stuartpuram-style colony with folks whose ancestors have been thieves. Not like Surya, he channels his anger on whoever is on the fallacious place on the fallacious time. Newly appointed constable Charulatha (Priyanka Mohan) is the one one who initially exhibits his victims any compassion.
PS: Suryah really didn’t maintain again whereas leaking this story beforehand.
How does the movie fare?
Given Vivek’s affinity for rom-coms and crime comedy, one may surprise how he would deal with one thing massy. The reply is — fairly properly! Saripodhaa Sanivaaram provides Nani ample whistle-worthy moments whereas being surprisingly humorous and respectful in direction of the topic at hand — a uncommon mixture in business cinema. For instance, there are moments when girls undergo bodily abuse on-screen, but it surely’s by no means proven to us, not to mention glamourised. It’s additionally refreshing to see a massy film give the antagonist extra to do than leech over girls.
Some key moments, nevertheless, are let down by handy writing, and the prolonged runtime may very well be a gripe, however the movie manages to maintain you engaged total. There aren’t any random dance numbers to chop the movement, both. The background rating by Jakes Bejoy, specifically, ebbs and flows with Surya’s temper, making for an immersive expertise and including depth to a narrative which may in any other case come throughout as run-of-the-mill.
Vivek’s sturdy factors
Saripodhaa Sanivaaram offers with numerous points with out in-your-face social messaging. Beneath all of the well-shot battle scenes, there are heat moments, like when a mom teaches a daughter that her place shouldn’t be within the kitchen, however cooking is an efficient talent to be taught. Or when a bit of lady is taught that in some unspecified time in the future, people should evolve to take care of each other as an alternative of counting on the hope of divine intervention.
In some moments, when it seems like Vivek is counting on clichés, he breaks them, together with one that attracts parallels between Surya and Charu with Krishna and Satyabhama. Vivek has at all times excelled at humour and staying true to his model, Saripodhaa Sanivaaram has some delightfully laugh-out-loud moments, significantly between Daya and Koorma or Surya and his father Sankaram (Sai Kumar). Amid some extremely tense moments, Vivek breaks the monotony with well-placed traces that depart you chuckling.
The director additionally brings out the most effective within the numerous forged, who shine of their roles — large or small. Nani and Suryah, specifically, appear to revel of their characters. Nani will get to play a true-blue offended younger man who’s livid at how the world is, however with a new-age twist. Suryah is especially good within the moments his character lets free and grows deranged to adapt to the conditions.
The visible grammar
It’s nearly like when Vivek determined to shake issues up in his filmography; he determined to go all out. Murali G’s heady cinematography brings Hyderabad’s gritty, grimier facet to life. Gone are brightly lit pastel-hued houses, paying homage to Psychological Madhilo. As an alternative, the movie performs out in earthy tones, with the cool blues and browns peppered with pops of pink, very similar to Surya’s anger. Solely when he falls for Charu do extra colors slowly seep in.
A specific shot of Surya at a pub throughout a battle scene backlit by neon stays with you. After all, because the movie progresses, the color tones evolve as his character grows and he understands the right way to use his anger. Golden or inexperienced mild is used fairly properly in moments of self reflection. The penultimate scene, which exhibits his anger lastly discovering objective, glows in shades of gold and pink, very similar to the coal that gives heat.
The drawbacks
The one downside on this close-to-3-hour movie is when Vivek forgets to subvert the clichés. The writing isn’t as sharp or intelligent appropriately on the subject of explaining away conveniences. The rift between Daya and Koorma escalates resulting from happenstance on the fag finish of the movie. Surya’s sister Bhadra (Aditi Balan) and Charu return to his life in methods which are defined away half-heartedly.
There’s additionally a supporting character who randomly waltzes within the first time Surya faces off with Daya. In a movie that in any other case ties up knots cleanly, scenes like these stand out like a sore thumb, feeling like a straightforward method out. It’s disappointing to see Charu and Bhadra not well-fleshed out, not like Vivek’s feminine characters in earlier movies.
In conclusion
On paper, Saripodhaa Sanivaaram reads like your cookie-cutter business cinema, through which the emotional parts depend on the amma (mom) and akka (elder sister) sentiment, or the hero turns into the saviour of the lots. However Vivek neatly relies upon not simply on his forged’s performances, but additionally on his sturdy technical crew and largely good writing to set his movie aside. He additionally turns the vigilante trope on its head. Very like Surya, the movie struggles to seek out its objective for some time. However finally, it does.
